You get professional editing and trimming tools, new metadata slate view, proxy workflows, multi cam, transitions, titling and much more! The revolutionary cut page is designed for fast turn around projects, while the edit page is for more traditional editing work. It’s that powerful.DaVinci Resolve 17 combines professional editing, color correction, VFX tools and audio, all in a single software tool! I don’t have to change to a different program for audio, color or visual effects. Now, DaVinci Resolve Studio can do everything at once. I always knew DaVinci Resolve Studio was synonymous with color, but once I saw it could edit and the timelines looked similar to the linear-based editing I know and love, I made the jump. The cut page has a learning curve, but once you become proficient in it, you save so much time on shorter content and quick turnaround deliverables. You can also sync the multicam footage, which is huge for us when we want to cut something in short order. With the cut page, you can throw your footage down on the timeline and quickly make an edit that is polished and looks great. One of the biggest things we use on the cut page is the dual timelines and automatic trim tools. While the bulk of the editing was done in DaVinci Resolve Studio’s edit page using the DaVinci Resolve Editor Keyboard, the cut page was also used in conjunction with the DaVinci Resolve Speed Editor for the film’s trailers, promos, and social media. For example, I don’t have to jump to the color page while editing I just use the adjustment clip feature, and it’s applied to the clip and everything below it on the timeline. With more tools moved to the edit page, my workflow is more streamlined. Being able to put in a title or a scratch title (and look nice without having to know motion graphics, as our motion graphics animation team is often tied down) all from the edit page is big for us. While editing “From DC, I Love You,” the 2D and 3D titles feature really helped. We instantly make proxies and quickly get them online, making it efficient and precise down to the megabyte. The film was edited and mixed in Los Angeles, with color grading and the score completed in Los Angeles, and media management in New York City, all supported by DaVinci Resolve Studio, Blackmagic Cloud and several Blackmagic Cloud Store Mini network storage solutions.ĭaVinci Resolve Studio version 18 is a game changer for us with collaboration getting so much stronger, and the Blackmagic Proxy Generator is like a secret weapon for us.

Da vinci resolve studio